SAMPLES: TOWARDS AN ANIMAL MASK
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4 days
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Type: workshop
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Level: Intermediate
This 4-day preparatory workshop has been developed in response to student requests and is highly recommended for those wishing to try out colour, eye types, hair, fur, plumage, surface techniques and other special effects in preparation for making a full animal mask.
Whether you are about to embark on your first animal mask, or you have wet felted a mask with me before, this workshop is an ideal opportunity to research specific aspects of your chosen animal, develop appropriate technical responses, and to practise them on small samples before working on the mask itself. This eliminates some risk factors and will save you time later on, and will give you a better understanding of the final outcome you are trying to achieve.
PLEASE NOTE: THIS IS NOT A 3-D SCULPTURE WORKSHOP AND YOU WILL NOT BE TAUGHT HOW TO MAKE A FULL HEAD MASK.
Please do not come expecting to focus purely on sculptural work. While some 3-D elements may be incorporated on the surface of the felt, or some small 3D samples may be created, our main focus will be on the creation of 2-D samples that explore different aspects of your chosen animal species. The samples you’ll make will measure approximately 30x30cm. Sample topics may vary widely between students, based on the animal species choses, but most likely you will explore colour/colour patterns, skin textures, eyes, and ears as a minimum.
Although you will be pursuing your personal line of inquiry, you will benefit greatly from being exposed to your student cohort’s work, and from the experimentation in the room around you. Throughout the workshop, learning is supported through 1-to-1 consultations, practical group demonstrations and illustrated explanations of a wide range of felt making techniques and approaches.
By the end of this workshop, you will
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have explored a range of felt making techniques
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have created a series of samples in preparation for the creation of an animal mask
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have interpreted your observations into felt & come up with appropriate technical solutions
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have demonstrated the ability to evaluate, integrate, and apply newly acquired techniques and medium to your felt practice
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have developed the beginnings of a reference library of techniques and ideas to enable future mask projects, which can continue to grow at home
All teachings/instructions are given in English. You will need a basic understanding & command of the English language. Some written handouts (in English) will be supplied.
COURSE OUTLINE
DAY 1 Shrinkage, colour & colour patterns
DAY 2 Skin textures/fur/hair/plumage
DAY 3 Ears/horns
DAY 4 Eyes
EXPERIENCE LEVEL REQUIRED
Suitable for
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Intermediate
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Advanced
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Anyone accepted on to a mask making advanced workshop/masterclass who would like to spend some time exploring colour options for their mask
Although this course is a stand-alone workshop which may be of interest to any intermediate+ felt makers interested in exploring & interpreting various aspects of an animal in felt, it will greatly benefit anyone attending a 5- or 6-day mask making master class.
Basic wet felting skills such as the making of pre-felt will be assumed. Please use the definitions below to work out if this workshop is suitable for you:
Total beginner: I have never wet felted before & wouldn't know where to start (but I may have dry/needle felted)
Beginner: I have made pieces of 2D wet felt but have not attempted any 3D work. I know the difference between felt and pre-felt.
Intermediate: I am proficient in 2D wet felt making, and have made 3D work wet felt. I have basic knowledge of wool breeds, shrinkage/calculations, and have practical experience of working with pre-felt and felting around a resist
Advanced: I am an experienced wet felter, and have very good working knowledge of both 2D and 3D wet felting techniques, including surface textures such as 'cracked earth' technique, and working with more complex resists. I have good theoretical knowledge of wet felting and have a practical understanding of the characteristics of different wool breeds and when to use them.
Professional: Felt making provides my main source of income. I have excellent practical and theoretical knowledge of a wide range of wet felting techniques, including and exceeding those of the advanced felt maker (above). I have developed a particular technique/style in my work. I currently am/would consider teaching my own workshops.
ADVANCE PREPARATIONS
Once you have registered you will be sent a Materials List by the venue through which you booked. Please make sure you give yourself plenty of time in advance of the workshop to familiarise yourself with the materials you are required to bring, as some may take some time to source.
Please note that there is some pre-workshop homework set in the Materials List.
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COLOUR PLAY:
COLLAGE, CONTRAST, SHADE, BLENDING & LAYERING TECHNIQUES
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3 days
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Type: workshop
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Level: Beginner/Intermediate
Dyed wool for felting is available in such a rich array of colours these days… It can be tempting to buy every colour under the sun, but this is like opening Pandora's box.
This workshop is for the felt maker who finds colour overwhelming or who doesn’t know where to start. It aims to grow your confidence with both colour and fibre in a playful way ,and to help you develop a colour language that is unique to you.
In this workshop you will explore the ways in which colours and fibres interact with each other, and how we can make the most of these characteristics in our felt work. Through a series of pre-felts and felt samples, we will explore basic colour theory and colour schemes, how to build colour up through the layers and make colours ‘sing' or tone them down, how to achieve seamless and subtle colour blending and how to exploit colour contrast. This workshop is responsive to the needs of the students, but in most cases will culminate in a free flow and responsive selective framing and re-assembly process that will help you look at composition and colour combinations in a fresh light.
You are encouraged to come with an open attitude and a sense of play. Expect to work outside your comfort zone or usual way of working with colour. There are no 'mistakes' during this process, just opportunities to learn. Learning is supported through practical demonstrations, handouts and illustrated explanations.
All teachings/instructions are given in English. You will need a basic understanding & command of the English language. Some written handouts (in English) will be supplied.
COURSE OUTLINE
DAY 1 Basic colour theory, pre-felt colour schemes, how to achieve subtle colour graduation
DAY 2 Apply theory to felt
DAY 3 Select & frame, assemble, collage, present. Show & tell.
EXPERIENCE LEVEL
Suitable for
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Beginners
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Intermediate
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Anyone booked on to a mask making advanced workshop/masterclass who would like to spend some time exploring colour options for their mask
Please note that some basic felt making knowledge will be assumed, so this workshop is NOT suitable for total beginners who have never wet felted before.
Please use the definitions below to work out if this workshop is suitable for you:
Total beginner: I have never wet felted before & wouldn't know where to start (but I may have dry/needle felted)
Beginner: I have made pieces of 2D wet felt but have not attempted any 3D work. I know the difference between felt and pre-felt.
Intermediate: I am proficient in 2D wet felt making, and have made 3D work wet felt. I have basic knowledge of wool breeds, shrinkage/calculations, and have practical experience of working with pre-felt and felting around a resist
Advanced: I am an experienced wet feltmaker, and have very good working knowledge of both 2D and 3D wet felting techniques, including surface textures such as 'cracked earth' technique, and working with more complex resists. I have good theoretical knowledge of wet felting and have a practical understanding of the characteristics of different wool breeds and when to use them.
Professional: Felt making provides my main source of income. I have excellent practical and theoretical knowledge of a wide range of wet felting techniques, including and exceeding those of the advanced felt maker (above). I have developed a particular technique/style in my work. I currently am/would consider teaching my own workshops.
ADVANCE PREPARATIONS
Once you have registered you will be sent a Materials List by the venue. Please make sure you give yourself plenty of time in advance of the workshop to familiarise yourself with the materials you are required to bring.
Please note that there is some pre-workshop homework set in the Materials List.
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SAMPLES: A LIBRARY OF IDEAS
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5 days
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Type: workshop
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Level: Intermediate
This workshop - a creative inquiry into the potential of both felt and samples - has been developed in response to student requests.
Whether you are a felt maker preparing for a specific project or body of work, or someone who simply would like to explore textures and techniques through some guided & unguided experimental play, this workshop aims to help you get started with the formation of your personal library of ideas.
The power of the humble sample is often underestimated, and in this workshop you will come to (re)appreciate the role sampling has to play in your creative journey. You can think of these samples as a library of felt trials and “sketches”; a continually growing resource that you will be able to fall back on for inspiration in future. Not only can these sketches help avoid costly (and painful) mistakes in the long run, they can also help to get through creative blocks, and can even become art works in their own right.
Although you will be pursuing your personal line of creative inquiry, you will benefit greatly from being exposed to your student cohort’s work, and from the experimentation in the room around you. Throughout the workshop, learning is supported through 1-to-1 consultations, practical group demonstrations and illustrated explanations of a wide range of felt making techniques and creative approaches.
Some reflective exercises may be offered in support of your line of inquiry, to help you keep a record of your thoughts and associations and to enable you to share your thoughts on the process with others.
Please note: This is not a 3D sculptural workshop. Please do not come expecting to make sculptural work. While some 3-D elements may be incorporated on the surface of the felt, we will be focussing on the creation of 2-D samples only.
All teachings/instructions are given in English. You will need a basic understanding & command of the English language. Some written handouts (in English) will be supplied.
PRACTICAL LEARNING
During this workshop, you will make a series of 2-D felt pieces from which small samples (approximately 15 x 15cm) are selected. These will form the jumping off point for a deeper exploration of felt making techniques and effects, as well as contrast and composition, and become the basis for a very personal line of inquiry. This workshop is not about achieving a particular outcome, but rather about the joy of responding in the moment and learning through play, trial and "error". It is intended to give you the freedom and time to explore, experiment that is so often lacking in our daily life, and to deepen your understanding of the medium. You will develop the beginnings of a reference library of techniques and ideas to enable future projects, which can continue to grow at home. A wide range of materials may be incorporated into the samples, and you will be encouraged to think outside the box.
By the end of this workshop, you will
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have explored a range of felt making techniques
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have greater confidence to interpret your ideas and observations into felt
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have demonstrated the ability to evaluate, integrate, and apply newly acquired techniques and medium to your own felt practice
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have learnt ways to break through artistic ‘blocks
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have demonstrated the ability to reflect on your personal artistic journey through presenting your work to a peer group
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have developed the beginnings of a reference library of techniques and ideas to enable future projects, which can continue to grow at home
Whether you are a felt maker preparing for a specific project or body of work, or a felt maker who simply would like to explore textures and techniques through some experimental play, this workshop aims to help you get started on what may well become a life-long addiction.
The contents of this workshop are flexible, and the second half of this workshop is tailored to you individually. You are expected to come with an open mind and playful, experimental attitude. Learning is supported through practical demonstrations and illustrated explanations.
COURSE OUTLINE
DAY 1 Group work: Starting out, pre-felts, fabrics, textures, contrast
DAY 2 Group work: Framing & selecting, zooming in, following an inquiry
DAY 3 Individual inquiry
DAY 4 Individual inquiry
DAY 5 Individual inquiry continued, presentation methods, show & tell, closing
EXPERIENCE LEVEL
Suitable for
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Beginner
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Intermediate
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Advanced
Although this course is a stand-alone workshop which may be of interest to any intermediate felt makers wishing to further their understanding of sampling in their work, it will also benefit anyone attending a 5-day mask making master class or professional felt makers wishing to experiment and prepare for a new body of work. Basic wet felting skills such as the making of pre-felt will be assumed.
Please use the definitions below to work out if this workshop is suitable for you:
Total beginner: I have never wet felted before & wouldn't know where to start (but I may have dry/needle felted)
Beginner: I have made pieces of 2D wet felt but have not attempted any 3D work. I know the difference between felt and pre-felt.
Intermediate: I am proficient in 2D wet felt making, and have made 3D work wet felt. I have basic knowledge of wool breeds, shrinkage/calculations, and have practical experience of working with pre-felt and felting around a resist
Advanced: I am an experienced wet felter, and have very good working knowledge of both 2D and 3D wet felting techniques, including surface textures such as 'cracked earth' technique, and working with more complex resists. I have good theoretical knowledge of wet felting and have a practical understanding of the characteristics of different wool breeds and when to use them.
Professional: Felt making provides my main source of income. I have excellent practical and theoretical knowledge of a wide range of wet felting techniques, including and exceeding those of the advanced felt maker (above). I have developed a particular technique/style in my work. I currently am/would consider teaching my own workshops.
ADVANCE PREPARATIONS
Once you have registered you will be sent a Materials List by the venue through which you booked. Please make sure you give yourself plenty of time in advance of the workshop to familiarise yourself with the materials you are required to bring, as some may take some time to source.
Please note that there is some pre-workshop homework set in the Materials List.
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INTRODUCTION TO MAKING ANIMAL MASKS - THE BASICS (LEVEL 1)
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5 days (schedule includes 1 rest/catch up day on 28 September)
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Type: Advanced workshop
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Level: Advanced
In this advanced workshop, you will be guided step by step through the entire process of creating a bird mask.
Birds are an excellent starting point for learning to make an animal mask as there is such a wide variety of them. Though the majority of birds may appear deceptively simple in shape, the technical and sculptural challenges presented by this animal offer a great way in for the beginner mask maker, while at the same time being quite forgiving.
A basic template will be provided by the tutor, and will be adapted and personalised by you. Together we will consider and plan for the skeletal structure, and you will learn how to build this up through the layers of wool; culminating in the application of feather plumage and learning about the sculpting process.
Although this advanced workshop focuses solely on birds, please rest assured that the basic techniques offered are the same for all animal masks.
Due to the wide variety of birds available to choose from, a range of technical challenges and solutions will be demonstrated to the entire group at each stage. During the workshop the tutor may advise you to simplify your design if it becomes apparent that time is an issue. This is so that you are able to experience the entire process from start to finish while the tutor is there to advise and support.
Important information, please note:
This advanced workshop consists of 5 days of tuition in total. Students must be prepared to work additional, untutored studio hours if necessary, in order to finish their mask within this timeframe.
All teachings/instructions are given in English. You will need a basic understanding & command of the English language.
PRACTICAL LEARNING
Making a realistic animal mask in felt is a hugely time consuming and complex process, and takes much repetition and practice to master.
In this advanced workshop, you are introduced to and guided through the basic principles and techniques of felting an animal mask, step by step, from start to finish, using a bird as your starting point.
The focus is less on achieving a hyper-realistic and hyper detailed mask of the type created in masterclasses, and more on achieving a thorough understanding of the different aspects involved in the process, and on executing each stage well. The sculpting aspect, in particular, is something that many find difficult and daunting, as it requires more than just a knowledge of felt making. By focusing on relatively “simple and plain” animal shapes such as birds, we spend less time on intricate surface details, complex technical feats, or a wide variety of embellishments, and more time on learning how to achieve strong and convincing sculptural shapes.
Among other things, you will learn:
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How to calculate the size of a base resist
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How to create a base resist
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How to translate the bird's characteristic bone structure, features and colour markings into an adaptation of the base resist
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How to lay out wool around a complex resist and stay in control
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How to build up colour through the layers
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How to achieve facial symmetry
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Ways to create types of plumage and how to incorporate this into the mask
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How to incorporate texture and other characteristics
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How to sculpt and shape the felt, and how to achieve a strong and convincing whole
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How to achieve felt with a good finish
In order to finish the mask within the allocated time, you will adapt and personalise a bird mask template provided by the tutor.
This advanced workshop is aimed at those who would like to know how to make a full head cover animal mask, but who are not yet ready to make intricately detailed and hyper realistic pieces. This workshop is an excellent prelude to those who wish to progress to the Faces of Extinction master class in future.
Learning is supported through 1-to-1 consultations, group demonstration, illustrated explanations, Q&A sessions. Written handouts (in English) will be supplied.
Learning is supported through practical demonstrations, one-to-one consultations and practical help, handouts and illustrated explanations.
COURSE OUTLINE
DAY 1 Shrinkage / designing & preparing the resist / laying out 1 & 2
DAY 2 Eyes / laying out 3 & 4 / creating plumage
DAY 3 Laying out 5 & 6 / incorporating plumage
DAY 4 incorporating plumage/ felting / sculpting
DAY 5 Sculpting
DAY 6 Sculpting/finishes
EXPERIENCE LEVEL
Due to the ever growing, popular demand for this topic, and the wide range of experience levels of students attracted to it, the topic of mask making has now been separated into two levels in order to serve students better:
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An Introduction to animal mask making - the basics (level 1); advanced preparatory workshop
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Faces of Extinction (level 2); masterclass.
Felting masks is a complex, demanding and physical process which requires wet felting experience, stamina and determination. In both the advanced workshop and masterclass, daily tasks will be set and the pace will be demanding. For this reason, regrettably, neither level 1 or level 2 are suitable for beginners, or those suffering from back or hand/arm injuries or other health issues that prevent them from standing/felting for long periods of time.
This advanced workshop sits somewhere between a workshop and a master class. It is suitable for:
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Intermediate
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Advanced
Practical knowledge of felting around a resist and a good understanding of wet felting in general will be assumed, as there will only be limited time to go over felt making basics during this workshop. Furthermore, you will have a willingness and ability to work additional untutored hours, if necessary, to achieve the daily targets set. An aptitude for sculptural form will be helpful but not essential.
Felting masks is a complex, demanding and physical process which requires wet felting experience, stamina and determination. In both the advanced workshop and masterclass, daily tasks will be set and the pace will be demanding. For this reason, regrettably, neither level 1 or level 2 are suitable for beginners, or those suffering from back or hand/arm injuries or other health issues that prevent them from standing/felting for long periods of time.
Please use the definitions below to work out if this advanced workshop is suitable for you:
Total beginner: I have never wet felted before & wouldn't know where to start (but I may have dry/needle felted)
Beginner: I have made pieces of 2D wet felt but have not attempted any 3D work. I know the difference between felt and pre-felt.
Intermediate: I am proficient in 2D wet felt making, and have made 3D work wet felt. I have basic knowledge of wool breeds, shrinkage/calculations, and have practical experience of working with pre-felt and felting around a resist
Advanced: I am an experienced wet felter, and have very good working knowledge of both 2D and 3D wet felting techniques, including surface textures such as 'cracked earth' technique, and working with more complex resists. I have good theoretical knowledge of wet felting and have a practical understanding of the characteristics of different wool breeds and when to use them.
Professional: Felt making provides my main source of income. I have excellent practical and theoretical knowledge of a wide range of wet felting techniques, including and exceeding those of the advanced felt maker (above). I have developed a particular technique/style in my work. I currently am/would consider teaching my own workshops.
PLEASE NOTE
All teaching/instructions are given in English. Students need to have a basic understanding & command of the English language. Some written handouts (in English) will be supplied.
ADVANCE PREPARATIONS
Once your registration has been accepted, you will be sent a Materials List by the venue, which also contains some pre-workshop homework.
Please give yourself plenty of time before the workshop to complete the homework and to familiarise yourself with the materials you are required to bring.
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FACES OF EXTINCTION (ANIMAL MASKS LEVEL 2)
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6 days tuition + 1/2 day untutored time to finish (some venues) + 1/2 day photography for online exhibition
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Type: Master class
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Level: Advanced (application criteria apply)
Today wildlife accounts for only 3 percent of earth’s land animals; human beings, our livestock, and our pets take up the remaining 97 percent of the biomass. This is due both to the explosion of industrial agriculture and to a hollowing out of wildlife itself, which has decreased in abundance by as much as 50 percent since 1970. This cull is from both direct hunting and global-scale habitat destruction: almost half of the earth’s land has been converted to farmland (Source: Peter Brannen, The Ends of the World)
Faces of Extinction is an international community art project & online exhibition that aims to draw attention to the impact of human activity on eco systems and habitats, the huge challenges to wildlife across the world, and of imminent natural network collapse. Faces of Extinction occupies a dedicated Instagram site and Facebook page, and all images share a distinct set of guidelines to encourage visual unity.
The masks resulting from this master class will contribute to on-line exhibition Faces of Extinction. For this reason, all animals chosen should be picked from the IUCN Red List for Threatened Species.
Prior to the course you will be asked to do some research on your chosen animal, as well as prepare a sign containing some basic written facts (more information on this will be provided in the Student Materials List sent out to you once your place is confirmed).
PRACTICAL LEARNING
During this masterclass, you will create a totally unique, bespoke and more ambitious animal mask than is possible in the advanced workshop An introduction to animal masks - the basics (level 1).
A wide variety of animals may be created in this masterclass, with a corresponding wide range of techniques (including textural and sculptural effects, the application of fur and hair, fins, horns and more). The aim is to be as detailed as possible in the given time frame.
A certain level of independent work and initiative will be expected from you, yet you will be supported and guided through the entire process; from designing the underlying bone structure into the complex resist that will form the basis of your animal, through building up colour and “muscle tissue” through the application of wool layers, and surface applications such as plumage, hair, wrinkles or other textures, right to the complexity and challenges of sculpting in general (and sculpting with wool in particular).
You will be encouraged and guided to find your own technical solutions to challenges, so that you can continue making masks independently after the masterclass. But this masterclass will also challenge you to think beyond “just” felt making techniques, and a significant proportion of time will be spent on analysis of volume and sculptural planes, and the sculpting process in general. You will learn to analyse concave and convex planes, and how to plan, sculpt and shape the felt into a coherent animal form.
Throughout this masterclass, learning is supported through 1-to-1 consultations, group demonstration, illustrated explanations, Q&A sessions. Written handouts (in English) will be supplied. You will also benefit from the wide variety of animals created (and wide variety of techniques used) by your student cohort.
Making a realistic mask in felt requires a combined approach of thorough planning, intuitive felt making, an aptitude for 3-dimensional form, and methodical, yet responsive sculpting. This process is time consuming and challenging, and it is imperative that only students with the right level of experience attend this masterclass. Without the relevant experience and understanding of wool, students will struggle and may not be able to finish their project (see Experience Levels and Masterclass Application Criteria below)
You need to come prepared to challenge yourself physically, mentally, and creatively, as well as to have plenty of fun and enjoy the possibilities of our chosen medium. You are expected to bring inspirational photographs and sketches, samples and some ready-prepared elements (if appropriate).
All teachings/instructions are given in English. You will need a basic understanding & command of the English language. Some written handouts (in English) will be supplied.
PHOTOGRAPHY SESSION
This masterclass consists of 6 days of tuition in total. In signing up to the master class, participants agree to take part in the photography session. This is not a tuition session, but an opportunity to celebrate the work you have created and to participate in the online exhibition. The photography session takes place in daylight on the morning following the final tutored day of the master class. Please come prepared with appropriate clothing and a letterboard (see separate Materials List provided on registration).
Preparatory instructions are included in the Materials List, provided separately by the venue upon successful registration.
COURSE OUTLINE:
DAY 1: Shrinkage / basic anatomy / designing & preparing the resist / laying out 1 & 2
DAY 2: Laying out 1 & 2 (continued) / eyes
DAY 3: Eyes /attachments / laying out 3 & 4 / 5 & 6
DAY 4: Laying out 5 & 6 (continued) / fur, hair, locks
DAY 5: Felting / sculpting
DAY 6: Sculpting / finishes
Extra (day 7): Photography
EXPERIENCE LEVEL
Due to the ever growing, popular demand for this topic, and the wide range of experience levels of students attracted to it, the topic of mask making has now been separated into two levels in order to serve students better:
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An Introduction to animal mask making - the basics (level 1); advanced preparatory workshop
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Faces of Extinction (level 2); masterclass.
Felting masks is a complex, demanding and physical process which requires wet felting experience, stamina and determination. In both the advanced workshop and masterclass, daily tasks will be set and the pace will be demanding. For this reason, regrettably, neither level 1 or level 2 are suitable for beginners, or those suffering from back or hand/arm injuries or other health issues that prevent them from standing/felting for long periods of time.
In the masterclass, practical knowledge of felting around a resist & a good understanding of wet felting in general will be assumed, as there will only be very limited time to go over felt making basics during this workshop. Furthermore, you must have a willingness and ability to work additional untutored hours, if necessary, to achieve the daily targets set. An aptitude for sculptural form will be helpful but not essential. It is important that you only apply for this master class if you have the right level of experience. Without the relevant experience and understanding of wool, you will struggle and may not be able to finish your project.
Please note:
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This is a master class. Good practical felt making knowledge and experience is assumed.
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The pace of this master class is VERY demanding, with targets to be achieved set each day. Inexperienced felt makers will struggle to meet these targets, as there will be no time to go over any basics during this master class. Therefore, you must have
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a thorough practical understanding of wet felting in general
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an excellent working knowledge of making 3-dimensional wet felt around a resist in particular.
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Ideally, you have attended previous workshop(s) with me.
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An aptitude for sculptural form is not essential, but will be helpful.
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This master class is well suited to those who have attended ‘An introduction to animal mask making - the basics (level 1) advanced workshop previously.
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As part of the venue's application process, you may be required to complete a self-assessment questionnaire to help you decide if this master class is right for you. Answers provided will be shared with the tutor, in order to assess your suitability for this master class. Please be honest and realistic in your answers. The tutor's decision is final.
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This master class is NOT suitable for beginners or those suffering from back or hand/arm injuries or other health issues that prevent them from standing/felting for long periods of time.
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You must have a willingness and ability to work additional untutored hours if necessary (if venue allows), to achieve the daily targets set, and/or to come with ready prepared elements.
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This in-person master class is strictly limited to 10 students.
Please use the definitions below to work out if this masterclass is suitable for you. More detailed information on the Application Criteria for this masterclass can be found in the next section.
Total beginner: I have never wet felted before & wouldn't know where to start (but I may have dry/needle felted)
Beginner: I have made pieces of 2D wet felt but have not attempted any 3D work. I know the difference between felt and pre-felt.
Intermediate: I am proficient in 2D wet felt making, and have made 3D work wet felt. I have basic knowledge of wool breeds, shrinkage/calculations, and have practical experience of working with pre-felt and felting around a resist
Advanced: I am an experienced wet felter, and have very good working knowledge of both 2D and 3D wet felting techniques, including surface textures such as 'cracked earth' technique, and working with more complex resists. I have good theoretical knowledge of wet felting and have a practical understanding of the characteristics of different wool breeds and when to use them.
Professional: Felt making provides my main source of income. I have excellent practical and theoretical knowledge of a wide range of wet felting techniques, including and exceeding those of the advanced felt maker (above). I have developed a particular technique/style in my work. I currently am/would consider teaching my own workshops.
MASTERCLASS APPLICATION CRITERIA
This masterclass is intended for
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intermediate & advanced felt makers who have previously attended an animal mask making masterclass with the tutor
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intermediate & advanced felt makers who have attended the advanced workshop An introduction to animal mask making - the basics (level 1) with the tutor
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advanced & professional felt makers who have not attended a mask making masterclass with the tutor, but can clearly demonstrate their level of complex resist and sculptural wet felting experience and ability
An aptitude for sculptural form will be helpful.
Students in this masterclass should be ready to take their masks to the next level. Previous mask making experience and practical experience of complex resist work will be assumed, though exceptions may be made if the students can demonstrate a clear aptitude for sculptural felt work (this is up to the tutor’s discretion).
Compared to a level 1 Advanced Workshop, students will still benefit from the presence of their peer group and the wide range of applied techniques carried out in the classroom, but less time will be spent on the basics, and more independent work is expected (guided and supported by one-to-one consultations). Students are expected to do preparatory work in advance of the master class (see Advance Preparations, below), and to work additional, untutored hours if necessary, in order to complete their complex creation visions within the six days.
Applications for this masterclass may be assessed by the tutor in dialogue with the venue, through a student assessment questionnaire. Applicants may be asked to provide evidence of their existing skills set by providing a website address or photos on request. If an applicant is deemed not quite ready for this masterclass (even if they have made masks previously), they are warmly encouraged to apply to An introduction to animal mask making - the basics instead. The tutor’s decision on this is final.
ADVANCE PREPARATIONS
Once your registration has been accepted, you will be sent a Materials List by the venue, which also contains some pre-workshop homework. Please give yourself plenty of time before the workshop to complete the homework and to familiarise yourself with the materials you are required to bring.
All students on this master class are required to:
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make a small felt sample prior to the workshop.
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to prepare, print, and bring a "letter board" style sign, that you will hold in the photo (full instructions will be supplied on booking)
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to bring a plain white/grey t-shirt or vest for the photoshoot
You are welcome to contact Gladys at gladys@gladyspaulus.com with a few images/ideas to discuss your animal choices and any advance preparations necessary, to save you time during the masterclass. This is not an invitation for prolonged discussion or a personalised workshop, this offering is purely intended to help you get off to a flying start during the masterclass.
Please note that any preparatory work advised in this communication is in addition to the pre-workshop homework set in the Materials List.
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